Posts Tagged ‘Shanghai’

Actors and extras (volunteer) needed for short film in Shanghai 

Analysis, a short film by Richard Trombly, being shot on no budget needs some actors and extras.

on weekend of Aug 11 -12 We need :

8 adults as extras (role – teachers) — any age 20+, sex, and race

two boys with speaking parts age 13-15 – any race — must speak english well but need not be native speaker

One adult any sex /age/race

8 or more youth – 13-15 year old teenage kids as extras – any race. — any language

contact Casting Director Jude Jiang 18601328669 email: Jiangwen.jude@gmail.com


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We are deep into the preparations for Analysis, a short film about a 13 year old math genius whose greatest challenge is solving “the human equation”www.indiegogo.com/analysis We are in the last day of a crowd funding drive that has been incredibly successful. Online, we raised over USD $1,600 from 20 supporters, but almost 1,000 people have been engaged enough to visit the page and learn about the film. So indiegogo has been a great resource to get the word out.


Sofie Fella 12-year-old star of Analysis at a Chinese temple in Shanghai

What the site does not show is that we have also received some financial support locally this is not registered on the site as well as invaluable donations of in-kind support. This short film has a high production value since it is intended for the festival circuit. It’s projected costs were budgeted at over USD $30,000 but we have been able to reduce the costs on this not-for-profit production to about USD $10,000 and also add on a CGI visual effects studio to provide some effects work that , in itself. would have doubled the film’s budget.
So in all, we have more than 60 people that have stepped forward to help bring this project together.
I want to thank all of the people who have taken the time to learn about this project and I hope you all follow this project as we develop it .

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There is nothing quite like the openness of so many of the Chinese people I have met. People are always willing and eager to invite you into their homes and share their hearths no matter how meager and they will always assure that you have eaten the best they have to offer. This was a meal with a migrant worker who works as a maid and general assistant in a suite of professional offices in Shanghai for a startup firm, many of whom are foreign professionals. I had the joy to meet and get to know this lovely woman who is working in Shanghai to support her husband and child in their home village far from this metropolis. She saves every penny to send home – yet she spared no expense to make me the best meal she could including delicacies she brought from home saving for a special occasion.

Cooking in Jin Nong Tang- Directed by Richard Trombly

Nong tang is the Chinese word for the narrow winding alleyways in the traditional neighborhoods of Shanghai. They are a style unique to Shanghai but are rapidly disappearing to make way for sky-scraping high rises. Jin Nong Tang is near the west bank of the Huangpu River upon which Shanghai and is not far outside of the city center so the area has become valuable and was slated to be demolished on 22 March 2012. So the invite to have dinner with Xiao Liu, a resident of Jin Nong Tang on March 21 was not to be refused…

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In any place, the arts community is limited – even in a place the size of China. So whenever you help out a fellow artist, it seems you are helping out alot of your own friends and in the end yourself. So let me help out my friends at TBC productions and the great actors involved in performing all the things the Butler did see — and surely a whole lots more that he didn’t !!!!! 😉

Please see the attached poster for our upcoming show – Joe Orton’s “What The Butler Saw”.

Please come down for a hilarious night of fun, farce and cross-dressing frolics.

Please RSVP to tbcshanghai@gmail.com – be quick as seats are limited!

Entry by Donation. (suggested 80-100 RMB)

See you there!

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The reviews are in. Charles Mayer has once again grabbed the attention of Shanghai’s theatre goers, this time with a gripping and engrossing performance in Oleanna.  Get your tickets early because this is sure to sell out.
Charles Mayer will also be starring in the lead role of the upcoming short film ANALYSIS by Director Richard Trombly www.indiegogo.com/analysis

Inline image 1Inline image 2

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By Richard Trombly

Posted on August 15th 2011


The most populous city in China, Shanghai is experiencing urban development and cultural renewal on a grand scale.

Shanghai is known as “The Pearl of the East” and is a city that was designed from the outset. Before the Western powers won concessions from China in the Opium Wars of the late 19th century, there was only a sleepy fishing village. But with the influx of foreigners, the city was built within a walled circle on a bend of the west bank of the Huangpu River.

A once-stately brick building bears the white hand-painted Chinese character that means this building is condemned and ready for demolition. Photo by “Jude” Jiang Wen

  • A once-stately brick building bears the white hand-painted Chinese character tha
  • A “wet market” where locals have a choice of affordable vegetables. Photo by “Ju
  • View of the Rock Bund Hotel, which opened last year and also features a modern a
  • A trendy young man photographed in Huai Hai Fang, an old lane house compound off
  • Chinese people at the Shanghai World Expo in front of the Philippines Pavilion.
  • Old Shanghainese man photographed on People’s Square. Photo by Patrick Wack.
  • Schoolboys at the Shanghai World Expo. Photo by Patrick Wack.
  • Elderly people practicing Tai Chi Chuan on the Bund as the sun rises over the sk
  • View of the Huangpu district and the modern skyline of Pudong as the sun rises.
  • Migrant workers from the countryside comprise the bulk of the workforce in the b
  • View over old lanes near Nanjing West road in the Puxi area of Shanghai. Many pe
  • A woman getting her hair curled at the local hair salon. Photo by Patrick Wack.
  • Tourists and passers-by walk pass a giant urban planning billboard on Nanjing Ea
The city is built around the river and divided into Puxi (literally “west of the Huangpu”) where all of historic Shanghai exists and Pudong (East side), which was farm fields until the 1990s but is currently home to the city’s modern glass and steel behemoths that comprise the Lujiazui financial district. Ferries filled with numerous scooters, cyclists, pedestrians and motorcycles still cross the river but one can see that the tracks onto the boats were designed for cars – a reminder that just over 20 years ago, before the first of Shanghai’s now impressive network of bridges and tunnels, this was the only method of crossing the wide, yellow silt-laden river.With a population reaching 20 million, Shanghai is the nation’s most populous, and certainly most prosperous, city in mainland China. And despite city planners’ design schemes, Shanghai is a city with a mind and a rhythm of its own.“Shanghai is fascinating as it exists on multiple levels no matter what sphere you are moving in,” says former Shanghai resident Richard Simpson, who works as portfolio design manager with New Zealand-based Essenze and is an expert in organisational behaviour. “On street level, rickshaws pulling collected polystyrene are mingling with luxury cars, but there is no friction or visible animosity. It clicks and hums at an extraordinary pace and seemingly reinvents itself on an almost daily basis.”With overflowing sidewalks where pedestrians bump shoulders, spilling into bike lanes where displaced cyclists jockey for space with the endless stream of motorised traffic, including unlicensed three-wheeled taxis, a never-ending stream of electric scooters and motorcycles stacked with produce from neighbouring provinces, as well as cars and buses, the morning commute is a chaos that somehow works on a grand scale.The traffic patterns found some recent relief due to massive expansions in the subway system in advance of the 2010 Shanghai Expo. It is a safe, clean, cheap and environmentally friendly way to move over 7 million riders per day from one of the more than 270 stations along the over 420 kilometres of track. A ride on the metro starts at 3 Yuan or approximately US$0.45. The longest ride will only cost about US$1.

All of this traffic reflects a huge amount of commerce and the city is growing, expanding and modernising at a breakneck pace. It is happening so fast that rows of vast skyscrapers, each contributing a unique design to the skyline along the main business arteries, give way directly to 19th century “shikumen”, Shanghai’s distinctive brick residential blocks characterised by winding, narrow streets. Meanwhile across the city, former concession areas offer European-influenced villas and Russian Orthodox churches that have been renovated into upscale nightclubs.

“Local and global influences are brought together and blended to infuse the city with a mystique all its own,” comments Simpson. “Traditional Chinese architecture is encroached by modern high-rises, making its command of positive and negative space even stronger. Standing at the Bund [riverfront] is very much the ying and yang of the city with the Art Deco behind and the flamboyant modern expressionism across the river.”

But not everyone is sharing in this prosperity. Gentrification remains rare in this city that strives to be so modern. Instead of repurposing existing buildings, entire blocks are demolished and residents displaced to make way for new buildings. A rundown shikumen block located conveniently along Zhaojiabang Road, a major business street, is a myriad lanes zigzagging among once-stately brick buildings that all bear the white hand-painted Chinese character meaning “condemned”.

Although the demolition has begun, Liu Xiaoling is one of only 10 residents left in her block that used to be teeming with thousands. Here she pays US$62 per month out of her US$200 salary for her 5 square metre single-room apartment. Most apartments exceed her salary. “I look at these beautiful old buildings and it seems like they are weeping and aware of their fate,” says the 34-year-old office maid. “I want to stay in Shanghai, but once this room is gone, I may not find any place I can afford.” Others from her neighbourhood and nearby blocks visit the lottery vendor on her lane in the hope that they will be lucky and avoid their fate.

“Among the chaos there is order of a highly dignified manner,” adds Simpson. “Wet markets on the roadside appear to be a seething mass of people fighting for personal space, yet for the locals they seem to represent a layer of tradition within a whirlwind of change. Designer label stores next to hole-in-the-wall eateries define a city that refuses to lose its roots to rampant building.”

One of the economic realities is that “wet markets” are the local choice for affordable vegetables. At best these are grand open halls filled with local farmers. But there are also lines of farmers that carry their produce to town in two baskets on a bamboo pole and then squat along a roadside, effectively cutting off all traffic and clogging it with pedestrians elbowing their way to a bargain.

Though the Chinese government has strong authority to enact civil control, there is a famous folk saying in China: “The hills are high and the emperor is far away.” This exemplifies the passive resistance that the people present to the government. Wet markets are one example. Shanghai mandated the closing of wet markets while stating supermarkets should start selling vegetables, but supermarket produce costs are considerably higher.

So in this communist nation, the wet markets remain due to market demand. Even though the Shanghai government website still boasts that to improve public health and modernisation, all wet markets would be state-owned by 2006, 80% of the wet markets remain privatised. Shanghai lawmaker Zheng Huiqiang concedes that this goal, with a price tag reaching US$4.5 billion, won’t likely be met soon.

The power of the people can also be seen in a 2003 ordinance to restrict all bicycles from downtown and turn bicycle lanes into additional automobile lanes. The popular resistance from an overwhelming majority of the people led to this policy being abandoned. And even while the government forbids superstition and mysticism, the old traditions find their way to emerge.

On a recent taxi ride, my 47-year old driver, Xu Wei pointed to the Nine Dragon Pillar at the intersection of several streets, and told me the local legend that work was repeatedly halted and the pillar could not be solid until a monk came to exorcise a nest of dragon spirits living there. The monk called on the workers to adorn the pillar with dragons so that the people would know to respect their spirits.

Of course, famed designer Zhao Zhirong tells another story. He was called upon to design the pillar that marks the heart of Shanghai’s sprawling highway network and says he drew on elements from nature like his family’s garden. When he looked at the traffic pattern of Shanghai’s highways, he saw the form of a dragon with wings extended. Nonetheless, locals have propagated the other story and somehow it is fitting of the way the people in this city make their own story.

Richard Trombly is a freelance writer living in China since 2003. He is also an obscure filmmaker with a clear vision at: www.obscure-productions.com

A child of suburban Paris, photographer Patrick Wack has been based in Shanghai since 2006, after spending several years in the US, Sweden and Berlin. Website: www.patrick-wack.fr

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Two One-Act Comedies — With an Interactive Improv Interlude

I personally know that this promises to be a very spirited night of theater since I know all of the folks involved and best of all — it is FREE. Therefore, please accept the satisfaction money-back guarantee. However, if you are pleased by the performance then please donate something to support the venue and cast in providing community-based art.

– Richard Trombly

The details

A vibrant, international group of actors and directors presents two classic short comedies and some exciting interactive improv theatre. With each segment at a leisurely 30 minutes, the night will be sure to delight those looking to enjoy a relaxing night of theatre…

…not only that, but entrance is FREE! (Of course, tips are much appreciated.)

The Bear by Anton Chekov: A young widow is still shedding tears for her husband when a stranger desperate for money barges in and demands she pay her debts immediately — and their heated argument soon turns explosive. A comedy with an ending you’ll never guess.

An Absurd Improv Interlude
: If Monty Python and Saturday Night Live had a baby that was adopted by Dave Chappelle and raised among a collection of funny foreigners living in Shanghai, this performance would be exactly that.

Flushed With Wine by Ding Xilin: A young married couple explore the boundaries of love as the husband dares his wife to kiss a guest who has passed out on the couch. They discover how little they know each other — and themselves — in this thoughtful, compelling tale. One of the very first “Hua Ju” performed in China.

Dates: March 25th, Friday & March 27th, Sunday
Time: 7.30 PM – 9.00 PM
Language: English, no Chinese subtitles.
Address: Downstream Garage (Mecooon Space) 

3rd Floor, No.100, Lane 200 Longcao Lu, near Longwu Lu. Metro Line 1 Caobao Lu Station (Exit 4) or Metro Line 3 Longcao Lu Station (Exit 1)

A word about the location:

Downstream Garage (Mecooon Space) is hard to find, but don’t worry, there will be posters at the important points, in additions, ushers will be stationed to kindly guide you towards the right place.

Lane 200 is a wide lane that branches off the main Longcao road, and Downstream Garage is near the very end of the long lane. An industrial-like building partially obscured by some residential flats, you can still spy a big yellow sign that says “Downstream Garage – Mecooon Space”

For more information, including an alternative map in English, please emailShanghai.Short.Plays@gmail.com

Downstream garage is hard to find but well worth it.  Google map and description on the following site:


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